Poem Spark Dec 31, 2012: Poems for the New Year

Greetings and salutations!

It’s been four years and six months since I wrote my last poem spark. It seemed fitting to begin again with poems for the new year, since this is New Year’s Eve. Like many of you, I will be staying up late to celebrate the rise of January 1, 2013. This time of year is about resolutions, memories, and drinking something fizzy. Sometimes there is confetti and weird glasses in the shape of numbers. What kind of poetry is suitable for such a time? That old standby by Robert Burns immediately comes to mind: Auld Lang Syne. Here’s a little bit of it:

Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne!

Chorus:
For auld lang syne, my dear,
For auld lang syne.
We’ll tak a cup o’ kindness yet,
For auld lang syne.

Of course, these aren’t all the New Year’s poems out there. The Poetry Foundation has a lovely page of marvelous poems for the New Year. I’m fond of Kim Addonizio’s New Year’s Day.

The key thing for me when it comes to writing a New Year’s poem is trying capture a sense of optimism. For me, the new year feels like a new beginning, although I’m sure for others it feels like the end of something. Whatever your flavor of New Year—optimism, sadness, drunken revelry—the important thing is to write. Maybe choose a few key words or phrases and use them as a spark. Here are some to get you started:

new year

solitary

snow

across the calendar

confetti streetlights

dizzy

music

10 … 9 … 8 …

love

where am I?

frost like wildflowers

wind and rain

Your spark for today: write a New Year’s poem. Have fun and be creative. Good luck!

Poem Sparks — Master List

Poem Sparks — Master List

Poem Sparks — Master List

I thought I’d try and gather all the poem sparks I could salvage from the Poets.org’s now defunct discussion forum. I wrote these from 2006-2008.

If I’m feeling inspired, I may revive this feature, possibly doing some random poem sparks on this website from time to time. Is anyone interested in that? If so, please comment. And please feel free to post your poems under any of the sparks in the comment section.

Poems Sparks — Master List (2008-2006):

Poem Spark Jun 23-Jul 7: Carpe Diem Poems Jun 23, 2008
Poem Spark Jun 9-23: Poems about flowers Jun 9, 2008
Poem Spark May 26-Jun 9: Narrative Poems May 26, 2008
Extended-Poem Spark Apr 14-May 12: Anaphora Apr 14, 2008
Poem Spark Mar 17-31: Astronomical Poems Mar 17, 2008
Poem Spark Mar 3-17: the Abecedarian Mar 3, 2008
Poem Spark Feb 18-Mar 3: February poems Feb 20, 2008
Poem Spark Feb 4-18: Persona poems Feb 4, 2008
Poem Spark Jan. 7 – 21 – Dream Poems Jan 8, 2008
Poem Spark Dec. 24 – Jan. 7 – Winter Poems Dec 27, 2007
Poem Spark Nov. 26-Dec. 10 – Music-inspired poetry Nov 26, 2007
Poem Spark Oct. 29-Nov. 12 – Autumn (possibly spooky) Poems Oct 29, 2007
Poem Spark Oct. 15-29 – Water Poems Oct 15, 2007
Poem Spark Sept. 17-24: an oldie but goodie Sep 17, 2007
Poem Spark Aug. 20-Sept. 3: Sci-Fi Poems (and Fantasy, too) Aug 22, 2007
Poem Spark Apr. 30-May 14 – the Sevenling Apr 30, 2007
Poem Spark Apr. 2-16 – National Poetry Month Poetfan Apr 10, 2007
Poem Spark Mar. 19-Apr. 2 – Alliteration & Assonance Mar 22, 2007
Poem Spark Feb. 5-19 – the Ghazal Feb 5, 2007
Poem Spark Jan. 22-Feb. 5 – the Sonnenizio Jan 23, 2007
Poem Spark Jan. 8-15 – Inspired by . . . Jan 9, 2007
Poem Spark Jan. 1-8 – Poems of beginning Jan 1, 2007
Poem Spark Dec. 11-18 – the Ode Dec 11, 2006
Poem Spark Nov. 27 – Dec. 4 – Synesthesia Nov 27, 2006
Poem Spark Nov. 13-20 – the Cento Nov 13, 2006
Poem Spark Oct. 30-Nov. 6 – Spooky Poems Oct 31, 2006
Poem Spark Oct. 16-23 – the Poet’s Poem Oct 16, 2006
Poem Spark Sept. 25-Oct. 2 – Syllabic Verse Sep 25, 2006
Poem Spark Sept. 18-25 – E. E. Cummings Sep 18, 2006
Poem Spark Sept. 11-18 – Poem titles Sep 11, 2006

Saturn’s moon Dione in slight color

from APOD 5 November 2012 — Image Credit: NASA, JPL, SSI, ESA; Post Processing: Marc Canale

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Saturn’s moon Dione in slight color

Dione hangs over Saturn, craters leading.
Isn’t the face always the most battered
part of the body? This is what happens
when two things are locked together:
the dark forever in front of us,
an infinity of nothing
we can predict.

This morning you said you were sad,
and I grew sad.
It wasn’t raining,
but the sun felt like grief—
her bright, cool rays too much for me. Yesterday
you said you were tired and we slept
too soon, using the long hours
before moonset trying to dream.
Sometimes stars shoot down to Earth
on nights like that, but it’s hard to see
diamonds stuck in the side of 2 am.

Last week you said you wished we could move north,
where the sky is larger than the ground
and I thought of how we would live there:
burnt twigs for warmth, hands cupped
around water as best we could,
scuffing our marks on the planet
as winter moves in.

Dione is stuck with Saturn
though I doubt she knows how long it’s been.
We’ve had decades together, finding each
other’s socks on the wrong side
of the bed. Children coming and going.
We hurtle toward death as though we planned it
that way, though we never thought
we’d still be here, orbiting
each other, never alone.

Only slightly surprised.

 

© 2012 Christine Klocek-Lim

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I wrote this poem in November, when things seemed terribly stressful. Of course, the stress didn’t last. Like fog drifting into nothing between the trees, it disappeared, and new difficulty replaced it, along with joy and discovery, and the sheer implacability of life walking on…

Copywriting – the forgotten art

 

My best friend and honorary sister, Dawn Barnes, has won an award for her copywriting from GDUSA (American Graphic Design Awards 2012). If you click on the photo above, then click thru to numbers 15 and 16, you’ll see the ads for which she wrote the copy. I can’t even begin to tell you how cool this is, and I’m really freaking proud of her. She has been doing copywriting and editing since we were in Carnegie Mellon together. That’s decades, people, and this is her first award.

That’s the part that is insane. Copywriting is the most forgotten part of writing. You know all those Whatever for Dummies Books? She did a lot of the copy for those, too. It’s the stuff that appears in ads, on the back of books, on the inside flaps of books, the blurbs on Amazon, the stuff on the back of your cereal box, and more. Those words don’t come out of nowhere, they’re written. I can tell you, honestly and with great conviction: writing copy for stuff like that is INSANELY DIFFICULT.

I’ve written a bunch of novels and you know what the hardest part is? Writing the back cover blurbs. The stuff that’s supposed to draw in the reader and make them want to buy the book. I suck at it. No, really, I truly do. The people who do this for a living, like my friend Dawn, have my utmost appreciation and respect. And did I mention? The pay for this kind of thing kind of sucks. So, this post is for her—I’m clapping for all those copywriters out there who work really hard that no one ever even thinks about. You rock!

‘Tis the Season

xmas tree ball

Some of you may know that I sometimes write completely ridiculous holiday poems. Here they are—this year’s gem and a few earlier attempts. Enjoy!

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‘Tis the Season

The malls are insane but you have to go shopping
for ribbon and candy to fill the last stocking.
You can’t stop to cry, ’tis the season for snow
and ice covered roads jammed with cars going slow
slow, so horribly … oh! There’s a dude dressed in red
on the side of the walk. He’s clutching his head
like someone hungover. His pants are all goopy:
the knees ripped right out, the butt kind of droopy.
You slow down to stare, but then offer a ride.
He kisses your cheek as he ducks down to hide.
“What the hell are you doing?” you ask and he smirks:
“Rudolph got wasted, went kind of berserk.”
You gape, shake your head. “Oh please, you’re not Santa.”
He shrugs and explains he was over Atlanta
when someone cracked open a bottle of whiskey.
“Three shots and the next thing I knew they’d got frisky.
Comet kicked Dasher right in the——”
“Stop!” you freak out, “Just keep your mouth shut.”
He laughs and you blush, thinking this must be a joke,
he can’t be St. Nick, he looks like a hoax.
“You can drop me right here,” he says while you frown.
“Prancer’s waiting right there, at the edge of the town.”
You slow down, still dubious, but the dude is quite right:
near the tree is a reindeer, head down, fur a fright.
“I told them they shouldn’t imbibe in December.
You’d think they’d believe me, or at least remember
the last time this happened.” He wrinkles his nose
and suddenly yells, “You dumbass! I almost froze!”
You freeze, not believing that Santa would curse,
but Prancer just snorts and throws up on your purse.
“Um—” you say, shocked. The reindeer looks sorry.
You gulp, and inch backwards: Santa’s no longer jolly.
He takes one step forward and scratches his ear—
the next thing you know there’s nothing but beer
left on top of the snow. And footprints. And barf.
You sigh, somewhat pissed, enough is enough,
but as you turn around twice to get out of sight
you trip on the vomit … UGH. What a night!
Next year, Santa please, don’t let them drink booze.
I’d like to go shopping … with clean shoes.

11 december 2012 — Christine Klocek-Lim

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The 12 days of Catmas

On the first day of Christmas
my two cats gave to me
a dingleberry in a pine tree.

On the second day of Christmas
my two cats gave to me
two hair balls,
and a dingleberry in a pine tree.

On the third day of Christmas
my two cats gave to me
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the fourth day of Christmas
my two cats gave to me
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the fifth day of Christmas
my two cats gave to me
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the sixth day of Christmas
my two cats gave to me
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the seventh day of Christmas
my two cats gave to me
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the eighth day of Christmas
my two cats gave to me
eight hissy fits,
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the ninth day of Christmas
my two cats gave to me
nine fishy farts,
eight hissy fits,
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the tenth day of Christmas
my two cats gave to me
ten tons of fur,
nine fishy farts,
eight hissy fits,
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the eleventh day of Christmas
my two cats gave to me
eleven spitting kittens,
ten tons of fur,
nine fishy farts,
eight hissy fits,
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

On the twelfth day of Christmas
my two cats gave to me
twelve stolen salmon,
eleven spitting kittens,
ten tons of fur,
nine fishy farts,
eight hissy fits,
seven shredded sparrows,
six stinging scratches,
five piles of poo,
four pathetic howls,
three dead mice,
two hair balls,
and a dingleberry in a pine tree.

24 december 2011 — Christine Klocek-Lim

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Mrs. Kringle’s Lament

They said we’d only get an inch of snow
but when I wake it’s covered up the road
and slush has pulled some branches down so low
my favorite tree looks like it might explode.

I trudge outside with gloves and scarf and salt
to promptly slip and fall upon my rear
before I even reach the curb. “Assault!”
I bitch, then freeze as something licks my ear.

I scoot away, my heart up in my throat
and think: a zombie! when the icy slop
slumps to the side like puke on glass. A coat
so cheery green it makes me want to pop

out both my eyes emerges next to me.
I groan and pinch my nose. I know that face.
Those bells. That burp. He’s grown a sparse goatee
which doesn’t quite enhance the scraggly lace

sewn on his cap. “Oh, you again!” he sneezes,
grabs my sleeve as though I’ll help him up.
Yeah, right. I dodge his drunken grasp and seize
his pointed, chilly ears. He drops his cup.

I just don’t care. He thrashes, tries to kick
but cannot get away. “Where’s the deer?”
I snarl. I wish that Santa’d get here quick
before his merry crew drinks all the beer.

“You think I’d rat out my best friends? Oh please!”
he cries, then vomits just as someone’s head
ducks out of sight behind the frosty trees
like Samurai Jack, but drunk. And wearing red.

“I know you’re there, you might as well come out,”
I call, my spirits sinking to despair
as I catch sight of antlers and a snout
crouched low behind my car. I swear.

This happens every year. No joyful bells
for me, oh no. Instead, delinquent elves,
escapees from St. Nick’s gift wrap cartels,
crash in my yard to sleep. “Show yourselves!”

I yell again, not hoping for too much.
Surprise, surprise, who waddles out? The Man.
Kris Kringle. Santa Claus. I blink and clutch
my head (I drop the elf). “What’s the plan?”

I ask. I hope he knows what’s happening.
He “ho-ho-ho’s” and sways a bit, then slips
and suddenly I feel the bitter sting
of cognizance: he’s drunk from feet to lips.

I sigh and drag his jolly ass to bed,
park the sleigh, coax Rudolph to the shed.
The elf I tuck into an extra room.
The beer, I’m sure, is gone, and none too soon.

10 december 2010 — Christine Klocek-Lim

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 Don’t drink on xmas eve

It happened this past midnight clear:
three crazy elves and two drunk deer
crashed in the yard atop my sled
then slipped downhill against the shed.

The sky was dry, the sunset gone:
where in hell did they come from?
Their groans and moans kept me awake;
I knew there must be some mistake.

In the dark I clomped downhill
and yelled my ire into the chill:
“Don’t you know it’s xmas eve?
Be quiet or I will make you leave!”

The sudden hush, like blocks of ice,
fell on my ears (oh so nice!)
as elves and deer peered up at me
like I was Nick and they: debris.

“We lost our sleigh and drank the beer;
your backyard was so close and clear.
We just could not control our stumble—
here we fell in this great jumble!”

Then their chortles broke the calm.
I dragged them home to wait for dawn.
The barfing wasn’t too severe,
but have you heard of snoring deer?

Santa owes me big for this
I thought as one elf burped a kiss
but it wasn’t till I fell asleep
that Santa came for his lost sheep.

And beneath the tree? What was my take?
Three beers, two bells, and one fruitcake.

19 december 2007 — Christine Klocek-Lim

My new website–> ChristineKlocekLim.com!

1sunset_2

 

Welcome to my new website! It’s been a long time coming and I’m sorry I have to pack my old one away in its virtual trunk, but when technology changes, so too must we.

I originally created November Sky with Dreamweaver, I think. I may have used something before that, but I no longer remember. Thing is, I’ve been online in some form or another since 1987, not with a website, but with email and various accounts at various places. Yes, I remember CompuServe and scrolling through the internet on a terminal. Not a terminal window, an actual, physical terminal. Anyway, the software I use to keep my website up and running is going extinct, so I have decided to merge my blog (November Sky Poetry Blog) and my personal website (November Sky) into one new place: christinekloceklim.com.

Some things from November Sky are gone (the photographs) and some poems, and some things have been added (I imported all my blog posts). Some stuff is new: the menus that point to my fiction writing. I’m planning on doing a lot more novel writing this coming year and I wanted this site to reflect that. I put up some easy to use menus and you should be able to find things fairly quickly.

In a couple of weeks, I will redirect novembersky.com to point here. I apologize in advance for any broken links.

One new and awesome feature of this site is that all of the Poem Sparks you thought were lost forever when Poets.org’s Discussion Forums were taken down are now here. I put a simple link on the right sidebar for you to click. All the Poem Sparks I wrote will appear. Additionally, you can use the Search box on the bottom of the right sidebar to find Poem Sparks, too.

To see them now, just click on the photo below.

POEM SPARKS!

spark0821

 

And that’s basically it! 🙂 Hope you enjoy the new place!

Ode to my children

Warning: incredibly sappy blog post ahead.

My older kid’s 18th birthday is tomorrow. In January, my younger son will turn 16. The thing is, I’m not the kind of person who looks backward a lot. Sure, I remember when they were babies (okay, I remember the screaming and the legos and the giggling), but I don’t have photos hanging on my wall or propped up on my desk. If I want to look at baby pictures, I have to go dig them out. The photo up above? I haven’t set eyes on that one in maybe ten years. It’s from 1995. Jeremy was 1 year old.

The surest way to grieve the past is to focus on it incessantly. The first thing that usually pops into my head when I think about the boys being little is all the times they almost died. Which, just, no. I’m not going to focus on that. Maybe it’s different for other parents. Maybe their kids don’t have allergies or heart defects or possible Marfan’s or that brain damage incident or whatever, but I’ve had all too many close calls with the great black hole of grief to ever go poking at the beast on purpose. I want to focus on the good stuff. Usually that’s the stuff that’s happening right now in front of me.

Both of my kids are crazy intelligent. I don’t really know how to explain what this is like. It leads to unexpected conversations and sometimes devices that scare the shit out of me being left on the steps and the odd sensation of knowing that they can solve math problems in their head (how do they do that?). A lot of people talk about having intelligent kids and everyone (according to the articles I read) wants intelligent kids, but many of them, when faced with the reality, pretty much are like: WTF. Hey kid, why won’t you follow the directions on the box? Why is it so hard for you to listen and do all the stuff everyone else does at your age?

Smart kids are difficult. Directions are boring. Putting things together the way you’re supposed to is boring. Toys with instructions are boring. Games are infuriating and boring (until you figure out how to reprogram them). These kids do weird shit like talk when they’re six months old or not talk at all until they’re four years old (then they speak in complete sentences with multisyllabic words that most adults don’t use or understand). They’re BORED all the time. School is usually BORING BORING BORING and “I’ve already read the entire textbook and this class is pointless now, Mom” by the third week of September.

A lot of people have bright kids. Not many people dodge school officials and psychologists like I’ve had to for the past sixteen years because really smart kids are kind of … not normal. Doctor’s charts have been a source of hilarity in my house for years. I’ve had to read up on my college statistics class so I could understand what the hell outlier meant. The funniest thing about all of this? No one believes you. Smart kids are supposed to get straight As. Most of them don’t. Smart kids are supposed to just be brilliant, easily, in totally predictable ways. They’re not.

Smart kids hate having to learn how to do things that are tricky, like riding a bicycle or tying their shoes or using a pencil (though scissors can be mastered at age one year). That stuff that requires muscle memory and practice is torture. Smart kids can intelligently discuss physics and the socio-political jokes from The Daily Show in their early teens, but learning how to grocery shop? Not so much. Smart kids figure out how to fool their teachers in kindergarten, but butt heads with their eighth-grade homeroom teacher. It’s kind of weird and cool and terrifying, at the same time.

As a parent, I have learned how to roll with most of this. I harp on the important things: don’t forget your epi-pen. Don’t expect the world to make sense. Learning that people act irrationally most of the time is, perhaps, the hardest thing to teach them. I even stumble over that one, still.

It’s weird, though, getting to this point. A parent of kids like this must be hyper-aware of the things society expects from children at certain ages, and know how to either hide their kids’ peccadillos or not give a shit, depending on the situation. My job has been to keep them away from the “specialists” and do-gooders, so that they can figure out who they are without the labeling that seems so prevalent these days. I wanted them to be bored at the right times. Slotting kids like mine into piles of activities makes them crazy (and me, too) and doesn’t help them figure out how to calm their racing brain at midnight enough to sleep.

I worked hard at showing them how cool it is to learn new things on their own because I’m convinced that public education, in many cases, is intent on stifling that urge. Jeremy reads the same books I do, the kind of books you don’t get to crack open in school until you’re in college or beyond. Zachary doesn’t like to read (which everyone thinks is at odds with being smart, and really isn’t) so I spend a lot of my time talking to him about online gaming and the internet and watching hilarious videos that he sends me and discussing the ethics of a modern society versus hunter-gatherer cultures among other things.

I spend a lot of breath forcing them to relax and take a break and not to worry so much about school. I have never been so convinced as I am now that education in our society and a love of learning is mostly incompatible. Public education teaches to the average and to the below-average. Gifted education? Hah. It’s a joke. It mostly consists of piling more BORING projects that require colored pencils and poster board on top of the regular classroom work.

All of this is to say one thing: I HAD NO IDEA what I was getting into. Dear everyone who wants a baby: the pitter patter of little feet thing is a LIE. Sometimes they crawl. Sometimes (like Jeremy), they never crawl, they roll. Sometimes they BREAK THEIR CRIB (Zachary did this. I’m not kidding) or figure out how to flip over their pack-n-play. They take apart their plasma night-light. They invent their own language and would rather go to a museum than have a birthday party.

My kids did NONE of the things everyone told me they would do. But you know what? I don’t mind. They’re the most interesting people I’ve ever met. I can’t wait to see what we do together tomorrow.

Publish online and kiss your Pushcart goodbye

This past April I did an interview series for National Poetry Month. During the series, one of the questions I asked was this:

Do you think there is a disconnect between academic poets/poetry and online poets/poetry?

Some of the people I interviewed declined to answer. Some said “I don’t know.” Some gave an in-depth explanation of why they thought there was a disconnect or not. In general, many of the people I interviewed truly believed that if there is still a disconnect in any way, it will not be around for much longer because the internet has become so much a part of our lives.

I’m not so sure.

It is human nature to strive for status. It is part of our psyche to work toward success because it brings with it so many rewards: respect, wealth, power. In an evolutionary world, this means that one’s offspring has a better chance of survival if one has power.

In a literary sense, the definition of success has traditionally meant publish, publish, win awards, publish, win some more awards, etc. The more one publishes, the more one’s work has a chance of survival long after the writer has died.

The introduction of a radically new medium (online publishing) into an established and entrenched process has upset this balance of power. The hegemony of traditional literary establishments is slowly eroding as the prevalence of online opportunities expands. The question is whether the traditional establishments will adapt and survive or hang on so tightly that they slow down the process of change. I think it can go either way: some will adapt and some will fossilize their procedures (publishing, awards, etc.), thus preserving their traditional authority for at least a while longer.

(One need only to read the many articles about the arrival of ebooks and the hysteria that is gripping traditional publishing houses (see the brouhaha surrounding Amazon, the big six, and the Department of Justice) to realize that a similar upset is slowly gripping the literary publishing world as well. What most people don’t realize is that the tipping point for commercial fiction is already here.)

Just recently, I received an email from The Fox Chase Review. This lovely online journal posted a blog entry in which they explained why they would no longer be sending work to the Pushcart Prize anthology. This decision was because of a statement from Bill Henderson in the introduction of the 2012 Pushcart anthology:

“I have long railed against the e-book and instant Internet publication as damaging to writers. Instant anything is dangerous—great writing takes time. You should long to be as good as John Milton and Reynolds Price, not just barf into the electronic void.”
-Bill Henderson – The Pushcart Prize 2012 Introduction..

The Fox Chase Review’s response:

The internet has opened a door to poets/writers in this new time. There are many fine publications who publish only on the net and are not easily entered. Rejection rates far outnumber acceptance rates.  Henderson’s void is an opportunity for various styles of writing to emerge that may not have found a home in more elitist presses which I am sorry to say The Pushcart has now become through the voice of Bill Henderson.  The Fox Chase Review will no longer submit entries to The Pushcart Prize and we hope Henderson doesn’t continue to barf on his computer.

Clearly, a miasma still lingers around online publication of poetry. It will be interesting to see how long it takes before this barrier between online and academic/print establishments falls. I suspect it will be several decades yet.

Meanwhile, I’ll be over here quietly writing poems and being unutterably grateful I don’t hold a position where I must publish in the right places (meaning print/academic/pushcart/poetry/newyorker) or perish.

Starbursts and Fox Chase Review

No, no, not the candy! And not actual stars, either, although that’s the original inspiration for my poem, now appearing in Fox Chase Review, Summer 2012: “Starburst in a dwarf irregular galaxy.

In this issue you can find work by: A.D. Winans, Anthony Buccino, Elijah Pringle, Frank Wilson, James Arthur, James Quinton, Jane Lewty, Jim Mancinelli, John Dorsey, Le Hinton, Melanie Huber, Mel Brake, Nicholas Balsirow, Russell Reece, Stephen Page, and Stevie Edwards.

Fox Chase Review also did an interview with me recently: Ten Questions for Christine Klocek-Lim. In the interview I mention how much I hate doing readings. This is terribly ironic because I will also be doing a reading for Fox Chase Review next year. (Thank goodness it’s next year! Procrastination is your friend! Yeah!)

Poet in Residence – Touch: The Journal of Healing

A few months ago I received a call from the editor of Touch: The Journal of Healing. We’ve had a long and fruitful professional and personal friendship so I wasn’t particularly surprised to be hearing from him. However, when he asked me if I would consider being the first Poet in Residence for his journal, I couldn’t help but feel completely flabbergasted.

Me? I thought. What do I know? Yeah, sure I’ve written a lot over the years, but quantity doesn’t always equal quality as so many of us know (have you seen the typos cropping up all over the web lately at large news/magazine sites?). Nevertheless, O.P.W. Fredericks persuaded me. He asked me to write a series of essays exploring one of the major themes of the journal: Evolution into Insight. How could I resist?

If you click through you will find my essay as well as three poems I wrote over twelve years. The poems all deal with one thing: my second son’s congenital heart defect. As I said in the essay: “Never be satisfied with the first attempt.” It took twelve years and many more poems than the three published in Touch to really become satisfied with my attempt at recording the trauma and subsequent emotional revolution that was born of my child’s brush with death.

There are a lot of other great poems and artwork in Issue 10 of Touch: The Journal of Healing. Check out the Editor’s Choice: Carol Lynn Stevenson Grellas. There is also work by: Ed Bennett, Jackie Fox, John Davis Jr., Richard King Perkins II, Danny P. Barbare, Pat St. Pierre, Tammy Daniel, Emily Lasinsky, Murray Alfredson, Stephen Gilchrist, Krisztina Fehervari, and Susan Kelley.