Autumn Sky Poetry 18 now live!

Greetings!

The eighteenth issue of Autumn Sky Poetry is now online.

Read poems by Peter Branson, Nielle Buswell , Melissa Butler, Luke Evans, Jennifer Givhan, Laura Levesque, Brigita Orel, Laura Sobbott Ross, Matthew Sholler, and Lew Watts.

—It’s all about the poetry.

Sincerely,
Christine Klocek-Lim, Editor

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Call for Submissions: Every October, Autumn Sky Poetry publishes artwork as well as poems: visual, video, etc. I’m looking for poems with corresponding artwork, or ekphrastic poems. Please read the Submission Guidelines for details and feel free to peruse last year’s Art issue, Number 15, for examples.
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Poetry Reading at Earth Bread & Brewery: Where written art meets liquid art.


I’m doing a reading! And there will be beer, which will probably help my reading a great deal, either by making me somewhat entertaining, or by blunting perception so that everyone believes I am somewhat entertaining. Here are the details:

Where: 7136 Germantown Ave, Philadelphia (Mt. Airy)
Wednesday, July 28th 2010
Time: 9-11pm
Featuring Philadelphia poets: Ernest Hilbert, Teresa Leo and Christine Klocek-Lim, with an open mic session starting at 10pm.
Ernest Hilbert is the editor of the Contemporary Poetry Review. He was educated at Oxford University, where he edited the Oxford Quarterly. He later became the poetry editor for Random House’s magazine Bold Type in New York City. He hosts the popular blog and video show www.everseradio.com. His debut collection is Sixty Sonnets. LATR Editions, Brooklyn, issued Aim Your Arrows at the Sun, a hand-sewn chapbook in an edition of 250 with a foreword by Adam Kirsch.  Hilbert’s poems have appeared in Fence, The New Republic, Yale Review, American Poetry Review, Parnassus, Boston Review, Verse, Meridian, American Scholar, and the London Review. He works as an antiquarian book dealer in Philadelphia, where he lives with his wife, a classical archaeologist.

Here is Ernest’s write-up at E-Verse Radio: “Written art meets liquid art”
Teresa Leo is the author of a book of poems, The Halo Rule (Elixir Press, 2008), winner of the Elixir Press Editors’ Prize and a broadside, “After Twelve Months, Someone Tells Me It’s Time to Join the Living” (The Center for Book Arts, 2009). Her poetry and essays have appeared in The American Poetry Review, Poetry, Ploughshares, Poetry Daily, Verse Daily, La Petite Zine, the anthology Whatever It Takes: Women on Women’s Sport (Farrar, Straus and Giroux, 1999), and elsewhere.  She also co-wrote and co-directed (with David Deifer) “Virtually, Paris,” a short educational film on literary magazine publishing in the electronic age, which was presented at the Association of Writers & Writing Programs annual conference in 1999, 2001, and 2002. She works at the University of Pennsylvania. She is a former columnist for The Philadelphia Inquirer’s Commentary Page, past Editor-in-Chief of Painted Bride Quarterly, and has served as Acting Director of the Kelly Writers House at the University of Pennsylvania.  
Christine Klocek-Lim received the 2009 Ellen La Forge Memorial Prize in poetry. In 2010, her manuscript “Dark matter” was a semi-finalist for the Sawtooth Poetry Prize and the Philip Levine Prize in Poetry and her manuscript “The Quantum Archives” was a semi-finalist at Black Lawrence Press’ Black River Chapbook Competition. She has two chapbooks: How to photograph the heart (The Lives You Touch Publications, November 2009) and The book of small treasures (Seven Kitchens Press, March 2010). Her poems have appeared in Nimrod, OCHO, Poets and Artists (O&S), The Pedestal Magazine, Diode, the anthology Riffing on Strings: Creative Writing Inspired by String Theory and elsewhere. She is editor of Autumn Sky Poetry and her website is www.novembersky.com.
About Earth Bread & Brewery:
“Earth Bread + Brewery is an earth-friendly place that puts respect for the environment and the comfort of our guests above all else.  From the green-minded details of our build out, to our choice of vendors and the way we treat our colleagues, you will find Earth an enticing place to visit.  We support local agriculture, local breweries and small producers from around the world. 
“Our tenet is founded upon honesty, sustainability, environmental stewardship and a sense of place in our community.  We embrace the connection between people and the foods we eat, emphasizing local and organic ingredients and products, and the producers and farmers with whom we work.  The restaurant will offer a menu of wholesome hearth-baked flatbreads.  The bar will present unique house-made craft beer and feature a selection of world-class beer and wine.”

Some poems published

Two of my sonnets are in the new Think Journal: Iridescence and Tail clouds. Please consider buying an issue to peruse. It’s a lovely little literary magazine.

Three of my astronomical poems are in MiPOesias’ summer 2010 issue: Moondust, Enceladus creates Saturn’s E ring, and The star trails of Kilimanjaro. These poems are on pages, 8, 9, and 10.

I’m rather happy about the Kilimanjaro poem being published. It’s one of my favorites and has been rejected numerous times. Does that make the poem bad? Why do I continue to like it so much when so many editors didn’t? It’s a mystery, this submitting and publication thing. As an editor, I know that sometimes poems just don’t fit in with the others I’ve chosen, so I know how it goes. Still, I find myself confused by the difficulty of knowing which of my own work is publishable. Some poems, more than others, seem to find their way into print.

As for the sonnets, I’d despaired of ever finding an editor who wanted them. So far, I’ve managed to get three published. With those, I’m more inclined to think it’s because so many people just don’t like formal poems and that’s why the others haven’t been picked up. It’s what I’m telling myself, anyway.

New poems published!

To my delight and surprise, six of my newer poems have just been published. These are part of my supernatural series: angels, goddesses, saints, etc. All of them are prose poems. They’ve been both terrifying and exhilarating to write.


The first three were published in PoetSpeak, an online journal that specializes in audio poems. I had to record myself reading and send the audio files to the editor. I was pleased that they also chose to publish the written versions. To hear and read the poems, go check it out:


PoetSpeak: Three prose poems by Christine Klocek-Lim




The next three poems are from the same collection and I was completely thrilled to have them accepted for OCHO #30. I love OCHO and all the other things Didi Menendez publishes. The mix of poems in this particular issue is fantastic. Here are the other contributors: Bob Hicok, Nick Carbo, David Krump, Sam Rasnake, Favia Tamayo, Letitia Trent, Grace Cavalieri, Cheryl Townsend, Andrei Guruianu, and Peggy Eldrige-Love.


OCHO is available online here: OCHO #30 and in print here OCHO #30 print.

Guest blogging and a new poem

If you’re curious about how I managed to get two chapbooks published within a few months of each other, I’ve written a short blog/essay about the total random luck of it, over at Larina Warnock’s Significance & Inspiration blog:

Guest Blogger Christine Klocek-Lim: Words on the Edge of a Recycle Bin

And I’m delighted that one of my recently written poems from this year’s NaPoWriMo was picked up by ProtestPoems.org:

Gadreel

I also bought a gorgeous pair of pink sandals. It’s been an awesome weekend.

Compassion: what is the point?

About nine years ago I was diagnosed with fibromyalgia. I was so happy to finally get a diagnosis that I didn’t think much about what it would mean to deal with this disorder for the rest of my life. That changed. I spent seven years trying to figure out how to live with it and ultimately only one very simple idea worked: being kind to myself. I repeated this over and over because it gave me a reason for not doing things that made me miserable. The thing with fibromyalgia (FMS) is this: if you push yourself, you tend to get flare-ups and you don’t want that because they suck. They suck MASSIVELY. And this idea worked. I stopped volunteering at my kid’s school library. It’s a worthy thing to do, the kids loved it, but standing around in a room filled with dust and shrieking children and a serious lack of sunlight made the FMS flare so bad I would go home feeling like a zombie with a hangover. I stopped cleaning my house every week (pushing a vacuum = flareup). I stopped gardening. I stopped bowling. But even more than those physical things, the mental anguish had to stop. I needed to stop berating myself for not doing stuff because FMS is intricately tied to one’s mental state. If you’re happy, the FMS is easier to handle. So I began writing a lot more seriously, because it made me happy. I stopped worrying about what other people had accomplished that I couldn’t (ok, I’m still trying to do this). I spent seven years working on this idea.
Once I mostly figured out what worked and what didn’t, surprisingly, the lack of self-flagellation opened up an entire world of things I didn’t know I could do. I didn’t realize I could dance, or travel with my kids. I didn’t know I could complete an MS 150 (bicycle charity ride). I didn’t know my family would be happier because I said no more often; there are so many things a woman in this society is supposed to do (most of which I hated). I never would have guessed, but I suppose happiness is contagious. Then one day I woke up and realized that I wanted to try something different. What if I applied this idea to others, not just myself?
I knew that would be tricky. If I spent too much time and energy being kind to others, I would get sucked right back into volunteering and spending time doing things that caused massive flare-ups. And I couldn’t figure out why I wanted to extend the sentiment. What is the point of compassion, really? It’s not reciprocal. I don’t care what anyone says, I know from experience: it doesn’t matter how many times you open doors for other people, it does not guarantee that more doors will be opened for you. People often suck and there’s really no way around that. But why? Why do people suck? Why is life so often violent? I asked myself this question over and over again, and since I’m a writer, the answer became vitally important. I mean, how do I write about people if I don’t understand what makes them tick? How do I appeal to readers if I don’t know what they feel?
I asked around. Seems I’m not the only person with an annoying health problem. I asked around some more, and it seems that I’m not the only person who has kids with health problems. I’m not even the worst off, not by a long shot. This was interesting. Maybe everyone is cranky at the grocery store because they have a migraine. Or a mother in a nursing home they can’t afford. Or whatever. So, okay, that sucks, I said to myself. What happens if I hold open a door? I tried it. The relief on some faces was its own reward. If I opened a door and paired it with a smile, it was even more fun. Simple. And it made me happy. Which made me feel better. Sure, sometimes I still wake up and can’t tell if I’m a zombie or a living person, but usually by noon I’m okay. If I listen to my friend telling me about her hideous day and then smile and joke around with her, it makes her happy. This makes me happy. But even more importantly, it makes me a better writer. I know why people do the things they do sometimes and this will help me write awesome novels with complex characters and who suddenly wake up with super-powers and save the universe.
It’s weird, but so far I’ve found being compassionate to others is much more difficult than being nice to myself. The effects are not immediate. The results are often not what I expect. I get cut off a lot in traffic and people sometimes give me dirty looks when I smile at them. Sometimes I forget that not everyone thinks the same way I do. Not everyone wants to think the way I do, and I forget that some things which are very important to me are anathema to others. Oddly, this pursuit of compassion is making me more open-minded not less.
Ultimately, I suppose compassion, empathy, sympathy, whatever you want to call it is a selfish endeavor. If you expect others to treat you well, you might grow resentful when they don’t. That’s self-defeating. But if you are compassionate to others because you think it will make you a better person, it will. If by being compassionate you learn patience, that is a wonderful thing and your kids will thank you when they spill grape juice on the carpet. If compassion teaches you how to forgive yourself, awesome. I’m not proselytizing here. I’m just saying: this works for me. It makes me happy.
Addendum: I wrote this several days ago, before a massive flare-up that made all these words seem like a foray into the idealistic world of self-righteousness. Except, well, they’re all still true. Compassion is lovely, but it’s not a perfect solution. Compassion, for oneself, for others, is not the holy grail of happiness. It’s a brick. It’s useful and durable and it has a lot of staying power, and sometimes it’s fun to throw it through a window, but by itself it isn’t the answer. I don’t know exactly what makes happiness so elusive, but I know compassion is something that can help alleviate misery from time to time. That makes it worth the effort, at least for me.

Short interview at Everyday Intensity

Thanks to Tania Pryputniewicz of The Fertile Source, I had the opportunity to answer a couple of questions about a subject near and dear to me: being a poetry editor. She has a guest spot on the lovely blog Everyday Intensity where she talks about being an editor. Then she asked me and Marjorie Tesser, editor of The Mom Egg, some questions about editing. Go check it out!

Guest Post by Tania Pryputniewicz: “So You Say You’re a Poetry Editor…”

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