Gabriel Gadfly’s Web Poetry Wednesday

. . . is a really cool thing. Okay, yes, he picked one of my poems today, so of course I like this new series of his, except he also picked nine other poems to feature. And he’s good at it. I hope he keeps at it, because I love when someone else weeds through the dreck to find interesting poetry and then shares it with the rest of us. Thank you Gabriel!

Go here and see what I’m talking about:

Gabriel Gadfly, Web Poetry Wednesday #3

Whale Sound has two of my poems. . .

 . . . and Nic Sebastian’s voice is sublime as she reads them. Go, go, go listen:

Raguel

Boulder Caves

I love this new project, Whale Sound. It’s introduced me to some fantastic work by poets I’d not read before, and listening to someone read them has illuminated the poems in a way that I didn’t expect. When I write a poem, I hear what it sounds like in my head, in my voice, and when I read it aloud, I try to preserve that emotion and sense of pacing. Listening to someone else read my poems is the ultimate test: did I succeed in conveying what I intended in that poem? Did I put enough space in between the imagery so that a reader can feel what I wanted as they read the poem?

My favorite poem at Whale Sound is He Calls Her Etsy by Karen Shubert. I love this poem. I love Nic’s voice as she reads this poem, the fragile wonder of love and sunlight that she manages to infuse within the lines. I can imagine the scene so clearly and then the last line devastates me. Listen and be amazed.

Thank you Nic, for your incredible contribution to the world of poetry. I am so very honored.

Why writers like booze (and chocolate)

I am a writer. I have written software manuals, insurance presentations, tests, letters, resumes, memos, poems, stories, novels, articles, interviews, and more. I have edited and proofread countless textbooks, journals, and other things. At no point in my life have I ever made more than $30,000 a year. The competition to get published is akin to jumping into a pool infested with sharks. Once you’re published, reviewers and critics can punch a hole in your work and watch you sink to the bottom, all the while congratulating themselves on how cleverly they did so. At the end of the day, any non-writer you tell about your job thinks he or she can do it better with no arts education and a complete disinterest in reading. Everyone I tell about my poetry is also a poet; even that woman down the street who “jots a bit in her journal now and again” has been published by Poetry.com.

There are only two reasons writers keep writing. One is because we love creating something with words. The other is the hope that someday we will be in that top .05% of writers that makes the bestseller list (think J.K. Rowling or Dan Brown) and rakes in a ton of cash. Most of us will die before that happens.

This is why we like booze (and chocolate) so much.

(edited to add: I stopped working full-time when I had my two kids, just fyi)

(edited again to add: I should probably mention how cool it is to play with words. Seriously. Writing a perfect poem is one of the most sublime experiences I’ve ever had. So, while all that up there is still true, I should have explained more about the “we love creating something with words” part. Just sayin’.)

Taking a long break. . . but not really

So, I haven’t been taking many photos lately, mostly because I’m concentrating on writing. Except where’s the writing, you ask? I also haven’t been writing poetry lately. This is because I’m concentrating on writing novels and of course just when I thought I knew what I was doing as far as creative writing was concerned, I learn that I don’t know everything. I’ve written two and a half novels so far, and I’m hard at work on making that half a novel a whole. I spent the last several months rewriting one of them because I didn’t know a damn thing about dialogue tags. This process has been both rewarding and humbling, like most things when it comes to writing.

So my long break isn’t really a break, it’s a trek onto another trail. I’m enjoying the view but I wish the trail markers weren’t so tricky to follow.

Almost there for the MS Charity Ride!!!

Hey everyone,

I made my goal thanks to you! If you still want to help, please donate to my son Jeremy and my husband Terry. While it might be fun to snicker at them as they stand in line to get their number, I know that I will probably be standing with them at the beginning of the Multiple Sclerosis City to Shore Charity Ride.
The $300 goal is due today (Friday, August 20). If you would like to help, please donate! Only a few dollars will help. Here is my page and my son and husband’s pages where you can donate directly online:
Thank you!

MS City to Shore Charity Bicycle Ride

Hey everyone,

Once again I’m participating in the City to Shore bike ride to raise money for Multiple Sclerosis. This is a tough ride for me: I have fibromyalgia, so riding 75 miles to the shore and then 75 miles back again is always a challenge, but it’s one that I take willingly to raise money and awareness of the devastating disease so many must deal with every day of their lives. My mother-in-law has MS. I know what it looks like, but I don’t know how it feels. That’s why I do this ride and it’s why my son Jeremy and my husband also ride.

I need to raise $170 more dollars to reach my goal. My son Jeremy needs to raise $250. I will be giving away one of my chapbooks to anyone who donates at least $20 to me until I hit my $300 goal. Then, I will give a chapbook to whoever helps my son Jeremy reach his $300 goal. This is a first come, first serve offer. I have twenty chapbooks to give away. For more info on my chaps, go here: http://www.novembersky.com/NovemberSky/Chapbooks.html

I have nine “How to photograph the heart” chaps available. I have eleven “The book of small treasures” chaps available.

To donate, go to my MS page: Christine’s MS City to Shore Page. Please note the amount on the page and if I’ve reached my $300 goal, please donate to my son Jeremy.

To donate to my son Jeremy, go to his MS page: Jeremy’s MS City to Shore Page.

Once you’ve donated, I will receive an email letting me know. I’ll contact you and ask for your address so I can send you the chapbook. Unfortunately, this offer is limited to those living in the US since I can’t afford the international shipping.

Please, even a small amount will help.

(PS-if I don’t have your email address, I’ll try to contact you via Facebook.)

Poetry Book Blog Tour: Interview with Joanne Merriam

Yes, it’s part 5 of the Poetry Book Blog Tour! Today I interview Joanne Merriam:


Joanne Merriam is a supremely talented writer with books, prizes, and numerous publication credits to her name. She was nominated for the 2009 Dwarf Stars Award, winner of Asimov’s Science Fiction‘s Readers’ Awards for Best Poem of 2008, for “Deaths on Other Planets,” and First and Third place winner (respectively) of the Strange Horizons 2005 and 2004 Reader’s Choice Awards for Fiction.

Belinda Cooke explains Joanne’s poetry book, “The Glaze from Breaking,” thus: “She reminded me a lot of the early work of Boris Pasternak where the poet does not so much observe the natural world as fuse with it breaking down the boundaries between speaker and landscape… She also does clever things with sound… [and] has the odd image that manages to be both unusual and just right.”



On to the interview:
(CKL): Nearly twenty years ago, I visited the Morgan Library in Manhattan and saw Sylvia Plath’s crayon printed first attempts at poetry. Since then, I’ve always enjoyed reading the very early poems of poets. Have you saved any of your first attempts? 
(JM): I no longer have any of my very early work – I started writing when I
was eight and the earliest poems I have are from my very late teens.
Here’s one of them, written when I was 19 (also my earliest published
poem–after some stuff that appeared in a tiny local magazine which I
lost in one of my many moves–it was in the Spring 1996 issue of Feux
chalins):
Enough
To be with you in the early hours of the evening is enough.
To watch your back and shoulders move under your shirt, to smilingly
feel your eyes on me is enough.
Yes, I want to feel your hands tangled in my hair, yes, I want to run
my fingers along the smooth soft skin of your wrists and arms, and
yes, I want to rake my calves over your calves.
But more than that I need only to observe you move across the room I’m in.
You don’t have to do anything.
It is enough to hear your low voice talk or laugh, or say my name,
and, not touching, while talking and laughing, to feel near me your
long lean warmth.
Here’s a very recent poem (published here
and written in April 2010):
Ah Inflorescence
         (after Walt Whitman’s ‘Ah Poverties, Wincings and Sulky Retreats’)
You’re an umbel–
your shoots; your loosenesses; your legs like pedicels;
eyes dark flat seeds screwed nearly shut against the light;
woodbine nerves; you seacoast angelica
(for what are your heteroflexible hands on my skin
but a flower moving, seeds drifting on a breeze?)–
when you finally touch me (my hands the dumbest of any)
(fingernails red petals on white sheets) I pluck you
(a cluster of flowers comes undone;
grinds into the ground)

(CKL): What changed in your work from the beginning to where you are now?
(JM): Well, obviously in the interim I lost my virginity.
I learned a lot about the craft of writing in my twenties, and am much
more comfortable now using metaphor and internal rhymes. I also
figured out somewhere along the way that line breaks are useful. I’m
more comfortable with interrupting my syntax and generally less
prosey.
But more than that, my whole approach has changed. As much as my life
inescapably informs my work, I’m not drawing from autobiography in
quite the same way (and sometimes hardly at all, especially in my
science fiction poetry). “Enough” was a deeply personal poem for me
when I was 19, but while “Ah Inflorescence” is about a real person, I
didn’t write it to express emotions I couldn’t figure out how to
express outside my writing, or for therapy. When I was a teenager,
writing a poem was almost always a stand-in for having a real
conversation with a real person–it was safer and less messy, because
I didn’t have to deal with the other person at all. Now, although I
frequently write about my life, it’s not a replacement for
communicating with my loved ones.

(CKL): Why did you start writing?
(JM): Despite what I’ve just said, not for therapy. I started writing when I
was eight because I was (and am) a people-pleaser, and my grade three
teacher praised a poem I had written for class. It was a rhyming poem
called “Dryad Lake” and was very derivative of the Anne of Green
Gables books. I wish I still had a copy. My parents liked it too. I
liked pleasing all these adults, so I wrote some more. At some point I
fell in love with the actual process of writing and now I can’t stop.
I get really crotchedy if I go awhile without writing anything.

(CKL): Do you still like to write or is it a chore?
(JM): Both. It’s a chore which I enjoy. I like the mental stimulation, the
necessary extended focus, and the sense of accomplishment when I
complete something. I like being part of a conversation that’s bigger
than me.

(CKL): Do you write anything other than poetry?
(JM): Yes, I also write fiction, both literary and speculative (science
fiction, fantasy, horror). I’ve finished the first draft of a novel,
which needs catastrophic edits before it’ll be any good, and have
written a bunch of short stories, which have been published in places
like The Fiddlehead, Stirring and Strange Horizons. I’m also working
on a web comic with my roommate, who is an artist, but we haven’t
gotten to the point where anything is ready to post online.

(CKL): Was getting a book published what you expected?
(JM): Ha. Not even remotely. I had some kind of an idea that having a book
published would open doors for me, involve some small sort of
celebrity, make me into a real writer. It’s nice to be able to say I
had a book out when I tell people I’m a writer, but it really hasn’t
changed anything at all.
And the whole process was quite a bit of a struggle, as I had to do a
lot more marketing than I’d expected. Not that I didn’t expect to have
to market my work, because by 2005 when the book came out I knew
enough to know that publishers, especially poetry publishers, have
very little money. But I made the mistake of choosing a UK publisher
who had no North American distribution. Stride Books was otherwise
absolutely fantastic in every possible way; I just lived on the wrong
continent.
It also came out just after I immigrated to the US from Canada, and I
was in that dead period many immigrants face when you’re not allowed
to work in the country (lest you be deported), and you’re not allowed
to leave the country (or you’ll have to start the whole process over
again). So I had no money. My husband was working at a used car
dealership (you can read about his experience here:
and making just barely enough to keep us afloat. I didn’t have the
money for gas to drive to readings, let alone organize any sort of
promotional tour. What I had was time, and an internet connection, so
I did most of my marketing online, which was a great learning
experience.




See the rest of the week:
27 July: Jeannine hosts Christine (that’s me!)
28 July: Wendy hosts Mary
29 July: Mary hosts Jeannine
30 July: Christine hosts Joanne

I’ve updated my website: November Sky

I’ve updated my website, November SkyI’ve updated my bio page and my published work page. I also added poems written in 2010 and audio for a number of poems: AnaelCrescent moon with earthshineTwenty-year love poemFirst CrocusHow to photograph the heartZachary learns to swim,Cicadas, and Peace


Check it out!