It’s September

but the summer of hell continues. A dear friend of mine lost his mother yesterday. That makes three deaths this summer for people close to me. I’m not really feeling the urge to write or blog or whatever. Two more people close to me are ill. And my house is possessed by demons if the way pieces of it (including things inside) keep breaking is any indication.

With that, I leave you with a poem by Coleridge that feels strangely appropriate, via Poets.org:

Work Without Hope

Coleridge is the author of the first poem I ever memorized so I have a special fondness for his work. If only I could be reciting Kubla Khan and reveling in that pleasure dome, but alas, I think that might actually require psychotropic drugs, of which I have none. I have only my tea and the view from my office window. Yesterday a hummingbird dive bombed a monarch butterfly. It was awesome. I also have my kids who continue to amuse me. Today my 14 year old emailed me this video: Yeah, toast (warning: video game violence). So funny!

When all else fails —> dance

I’m going out dancing tonight and we will be practicing our Viennese waltz.

Viennese Waltz — natural turn

It’s like flying
or falling.
Each step a revolution.
The planet tilted
too much.
Sunlight far off.
Clouds strangely graceful
even as the storm
arrives.
She says, lean back further.
Enough to contain
the rotation.

The ballroom is wide
as a plain. I’m a sapling
and he is the wind.
Sometimes I touch the floor,
toes starved for solid ground.
Sometimes I leap.
Every other step a lock
as though leaves
can be caged.

He is vertigo.
The darkened tornado
peeling my meadow.
The sky falters but I hang on,
fingers lodged in his bones.
I am a white birch.
I am a falling
branch.

I am a spinning
leaf, spiked
with rain.

Written this past April 2011 during NaPoWriMo, this poem is part of a manuscript of ballroom poems, though one could argue they’re also love poems. Yes, I’m a sentimentalist.

photo credit: Vladimir Pervuninsky, “The Viennese Waltz.”




Edited to remove embarrassing public whining. You see, it all started with—. . . . . you know what? Never mind.
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Can rage cause a crack in one’s floor? Yes. Yes it can.

Warning: this post has nothing to do with poetry and everything to do with real life.

Yesterday my son and I went to the Department of Motor Vehicles (DMV) (aka: the seventh circle of hell) to get my son a learner’s permit (driving). It took two hours to get there because of construction traffic. Then we waited in line for two and a half hours. A person who smelled like smoked salami sat next to me for most of this time. When we finally got to the counter, Jeremy easily passed the test, BUT:

They said his birth certificate isn’t valid, even though I used it to get him an official state photo id last year with it. Even though he got a passport with it years ago. Even though I registered him for school with it. Even though it has a raised seal and all the pertinent information and was issued to me by the state of NJ.

Naturally, I argued. Demanded to see a supervisor. Three DMV workers insisted the certificate was wrong. Fine.

NJ (his birth state) requires a valid state photo id (or driver’s license) to get a valid birth certificate. Theoretically, my son could get his valid birth certificate with his existing photo id (obtained with the non-valid birth certificate), but he can’t get a driver’s permit.

*bangs head on wall*

To get a valid birth certificate online, one must upload identity documents. The system won’t upload even though I already paid. The system has no phone number so I can call a human. I sent complaint via email. No answer.

To get a valid birth certificate via writing, it will take 10 WEEKS. Yes, weeks.

*bangs head on wall harder*

We have only one option left: drive to Trenton, NJ to get it in person. I know that probably won’t go well. We’ll hit more construction. When we get there they will insist that I, his mother, present a valid birth certificate as proof of identity. That certificate will be invalid (I’d bet money on this).

We have 30 days before he has to retake the learner’s permit test. And before you ask the obvious, I already did: we can’t use his passport because it’s too old.

*bangs head on marble floor*

*floor cracks*

Autumn Sky Poetry 22 now online!

Greetings!
Read poems by Hala N. Alyan, Zeina Hashem Beck, Whitney Egstad, Joseph Harker, David Hubbard, Clyde Kessler, Bob McHeffey, Winnona Elson Pasquini, Kathleen T. Smith, and Kelley White.
—It’s all about the poetry.
Sincerely,
Christine Klocek-Lim, Editor
~~~
Call for Submissions: Every October, Autumn Sky Poetry publishes artwork as well as poems: visual, video, etc. I’m looking for poems with corresponding artwork, or ekphrastic poems. Please read the Submission Guidelines for details and feel free to peruse last year’s Art issue, Number 19, for examples.
~~~

Museum of Fine Arts—oh the irony

So far, this summer has been rather difficult. I won’t go into details but suffice to say that real life growled and smacked me upside the head. Yeah, I’m not starving, my kids are fine, et cetera, et cetera but still, it’s sucked. Anyway, I keep reading Auden’s poem, Musée des Beaux Arts, because it seems strangely appropriate given my personal life, the life of most of my friends, and the larger world’s recent horrors. Suffering is as transitory as joy. Or perhaps joy is as transitory as suffering. And there will always be someone who is unaffected or who doesn’t particularly care what is happening because everything is relative.

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;

I won’t argue that I find this comforting, because I don’t. Rather, I think I like the poem because it’s so beautifully constructed. Because it says something truthful. Because that painting is incredibly amusing to me. I mean, no one is paying any attention to Icarus. Stupid kid gives the sun the finger and then crashes into the sea while “the torturer’s horse / Scratches its innocent behind on a tree.”

Hilarious. The horse is always innocent. Life is a museum of fine things, is it not?

Clearly I have a twisted sense of humor.

Coventina

My dear friend Larina lost her son this past weekend. I am heartbroken for her. He was only eleven years old and though he had cerebral palsy, his passing was unexpected. Several years ago I wrote a poem for her based on a newspaper article written about her and her son. I’m pasting it below in honor of his memory.



Coventina


— river goddess, known for healing

That morning he dreamed of dolphins. Deep waves. Smooth hide and clicks against his body. The sea moved his feet as if he could walk on water and he woke sweating, afraid of the thunder outside. Afraid of the rain, but the dream remained, too, even as his mother strapped him in his wheelchair. For once, the squeak of its joints didn’t upset him. Because this was his first time at the pool, he tried not to show how much he wanted it but her face told him she knew. She knew he wanted to swim, even if his limbs disobeyed his mind. Even if that black feeling came back. And the water was warm. Buoyant. They’d painted dolphins and fish on the tile so he swallowed the fear down, almost choking. Closed his eyes. He imagined the pool was a river, an ocean. The slap of hands splashing became waves and he almost smiled as the lights flickered, buzzing electricity. When they blinked out and emergency lamps clicked on, he discovered the mural on the ceiling: a woman with butterfly wings, black hair flowing past her cattail dress. Coins strewn around her feet. Shimmering green light everywhere. He wished he had a dime to toss, but then his mother lifted him up and let go and for the first time in his life he moved by himself. He laughed, something inside breaking open like a tsunami, like an impossible dream, and then he saw his mother smile as tears slipped down her face like rain.

— for Larina and her son Zack




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Things that frighten me

You would think I’d say zombies or perhaps my house burning down. Fear of being poor. Fear of tornados. Yeah, no. None of those things. I’m not even really that frightened of breaking my ankle again, though it would suck. Honestly, there are only a few things that really make my heart race: death (mine or my family’s), illness (fatal and unpleasant, mine or my family’s), and breaking one of my fingers or otherwise permanently damaging my hand.

I’ve lived through death (not my own, obviously) and illness and they are both hideous and unpleasant. I’d like to not do it again but I guess I’ll have no choice at some point. Shit happens.

However, I have never injured my hands. I’ve strained a muscle or two and had my wrist ache from too much mousing (computer mousing, that is), but I’ve never broken a finger. And I bet that would be unbelievably HORRIBLE. Why? Because I couldn’t type. Omigosh I can’t even think about it without feeling hysterical. People think of musicians and surgeons and their hands. They say: oh that would be tragic, if something happened to her hands. Why, why don’t they ever mention writers?

I’ve thought about it. Even if I never truly sell a lot of books (or even sell any, which could definitely happen), the act of writing sustains me. I read an essay today about what success means for a poet (at Jeannine Hall Gailey’s blog) and her conclusion was that the writing itself was enough. I agree. (I strive to agree with that incredibly heathy attitude while I continue to weep and moan over the rejections that fly into my inbox.) Writing itself is a wonderful act of creation. Of defiance. Of hey, this is what I have to say and if you don’t like it, too bad rebellion against our culture and society and art and stagnancy and sometimes myself. Except, how the hell would I do that if something happened to my hands?

I know/have known two writers who lost the use of their hands through illness. One managed by typing with a pencil in her mouth. The other, well I don’t actually know how he gets by, but he continues to write amazing poetry. I know it’s not impossible. Still. I imagine it must be like that nightmare where your body is frozen and you can’t get up the hill. Words would back up inside my head like a truly epic sentence-traffic jam. And how would I read? How to hold a book? Even now my heart rate speeds up at the idea. . .

deep breath


deep breath


deep breath

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Page two, page two, oh I love you so

Earlier this month I wrote about trying to get one of my unpublished manuscripts out in the world. One agent gave me a nibble, but I must have jerked on the line too hard: she swam away. I am still hopeful because clearly, I’m still on page one of my novel writing career. Despite years of scribbling, page one is difficult to move past. Page two weighs about ten thousand pounds and I keep losing my grip, my hands are sweaty and weak. . . (and I am mixing my metaphors, whatever, sue me).

I want to move on to page two. I’m nearly desperate to move on to that golden, shining page, but really, what does it matter? I’m not going to stop writing. I could make it to age 99 and still have my sci-fi novels unpublished and I’ll be tapping away at my keyboard. Or maybe I’ll just be thinking the words directly into my computer, courtesy of the neuro-implant we’re all going to have eventually that connects us to the digital world forever, at all times.

Ahem.

Okay, that’s one of my ideas for yet another novel. I seem to be overflowing with ideas these days, which is a welcome change from my twenties where I had nothing, NOTHING in my head except a vain hope for a full night’s sleep.

And with that, I’ll leave you with page two of my unpublished, in dire need of an agent, sci-fi novel, The Quantum Archives. (Psst, Brigita? I posted this for you.)

———

Quantum imager on display through December
By Thomas Miles, Associated Planet Press Writer
September 8, 2099 4:35 PM EDT
NEW YORK (APP) — Scientist Sarah Metis invented the quantum neuro-imager with the help of her sister, Eve Metis, a neuro-linguist. Though the imager only worked for a short time, the experiments and data from the recorded vocal fragments, catalogued by Eve, changed the face of human society, both religious and scientific. Advances in the fields of neuroscience, quantum physics, psychology, and many others were made possible, though the rise of the Post-Charasmatic religious group, Daestar, was also spurred by the invention of the imager. Nonetheless, most people agree that the benefits to humanity outweigh the negatives. Advances made in the medical field were especially welcome as research into the brain and genetics became more accurate. Most people alive today enjoy an extended life expectancy that would not have been possible without the new imaging technology invented by scientists studying Sarah Metis’s quantum imager.
The device, catalogued archives, and media of the Metis sisters and their work are on display through December 2099 in celebration of the 50th anniversary of Sarah Metis’ death. Because security is heightened for the duration of the exhibit, all visitors must submit to a search before entering. All visitors are accompanied by a guide and no one will be allowed to stay longer than the one-hour limit. No unauthorized representatives of Daestar will be admitted. For further information, please visit the Newton Society Museum’s website.

How to write through extreme physical discomfort

Namely: a really bad itch.

Yeah, sure, I guess a lack of sleep (two hours total last night, suck on that you wimpy full-night’s sleep people, I am awesome) could also qualify as extreme discomfort, but it’s really more of a drunken buzzy edge-of-hallucination feeling than discomfort. I suppose the weird muscle spasms at 3 am could qualify, but still, no. Or the hot flashes (it’s not menopause, trust me), but also no. It’s really the itch that is the hardest thing to ignore.

Why are you so itchy, you ask? TMI ahead: Monday I had a dermatologist cut off a funny-looking mole (not cancer, the biopsy was benign). The mole was on my cleavage. So, yeah, I was a bit sad to see it disappear. No more Marilyn Monroe flash of sexiness to make me feel cool anymore, but really, it wasn’t a big deal. Until I realized I was allergic to EVERYTHING the doctor put on the wound.

Allergic to Doctor’s bandaid? Check. Allergic to four other types of bandage/surgical tape/adhesive/ointment/water/air/just-looking-at-the-damn-thing? Check. Red marks on my skin where all the various adhesives have raised patterns of itchy hellishness? Check. Why don’t I just leave it exposed, you wonder? Well, the skin is missing. It’ll take at least ten days, I think, for it to be safe from infection.

So the question remains, how does one write through such extreme physical discomfort? What will help?

—> Vodka.

Or so I thought.

I tried pouring it on the wound, but that SURE DIDN’T HELP AT ALL. No siree. Then I drank a little with my Benadryl. That was a fun couple hours right there but it didn’t really help with the writing.

So I bought myself a ginormous, chocolate chip, chocolate frosted, chocolate muffin and perched it on my desk. That will be dinner. I’m not allowed to eat it until I write my word count quota for the day.

The fumes of sweet yummy goodness are extremely discomfiting.

I have named my muffin Incentive.

(Yeah, yeah, I can hear you laughing at the obscene pun all the way in PA. Whatevs)

Rejection, rejection, wherefore art thou?

Oh yeah. You’re in my inbox, therefore my words exist.

I’ve been sending out queries for one of my novels, a literary sci-fi titled The Quantum Archives. I’ve revised it four times, but it could probably stand some more attention. Even so, the other day I received a nibble from an agent (she wanted more pages), then she rejected the manuscript.

The weirdest thing about being a writer? You are totally convinced people want to read your words. I mean, sure, there’s the niggling doubt, the worry that your writing sucks coupled with a lot of frantic revision, but ultimately, to be a writer you have to be completely certain that what you’re writing is something other people will want to read. It’s a weird contradiction—all that insecurity mixed up with confidence. And it seems like it would be easy to freak out and give up; I’m a serious pessimist, after all, but when it really comes down to it, I can’t give up. I love writing too much. The work itself is a joy and that’s enough to keep me writing, convinced that somehow, someday, someone else will read the words I type and enjoy them.

The Quantum Archives made it to the semi-finals in the Black Lawrence Press Black River Chapbook Competition. I’ve since rewritten it as a novel and am still hopeful it will find its way to readers someday. Here’s a peek at the first page:

Eulogy
Sarah, my sister, I know everything. You created that silver machine to illuminate the impenetrable, and as usual, you are gone ahead of me. I kept it, your diadem, its stiff wires and electrodes, the strange toggle you claimed was the key to omniscience. I hated it. One flick and the thing hummed, your eyes closing as bliss walked into your face, as you spoke in tongues, fragments of the past skinned open for you like the plums mother used to peel so carefully. And now you are gone to dust.
When the diadem was announced, everyone was delighted, not knowing how it bound you as if you were a slave, not a queen. Not a scientist. We should not have fooled with time. I should not have helped you build it but I never thought it would work. I knew better. You could do anything, stroll inside the brains of the dead, fold space until even Einstein grew confused. You claimed it would tell you how to fix the world, not realizing that the Earth already had become another place entirely and it was too late for repair. By then, I was too late to save you. That damn thing burned into your skull so badly I had to peel your skin away to get it off.
My dear Sarah, I am no longer angry, but I miss you. I grieve your passing. I am altogether bereaved and I wonder if you saw this future. I hope not. I have disabled the diadem, hidden its crystal. No one will know. Never again will a woman peer into her own past. We are safe, though I wish you had explained the euphoria you felt when you recorded. I could have fixed it, perhaps. I could have done more if I knew that was the problem.
I wish you had told me you were so sad.
—from the private diary of Eve Metis, sister of Sarah Metis, entry dated December 12, 2049.

Like what you see? If so, let me know and maybe I’ll post the second page too. . .


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